1
I float over propane tanks, back lanes,
outhouses in pajamas, twelve, over shacks and the really more-
than-shacks, north of trolley wires and an edge of the city
forest. I drift just above the tips of elms, and am twelve. June.
People are asleep below, the milkman’s
horse waits on Connaught for the man to come through
a lilac hedge, marsupial pouch
first, empties percussing in his iron basket.
Someone, Yvonne I guess, the Pelletiers’ oldest
sets kindling going to take off the chill.
The horse is motionless above its cake-sized,
cement anchor.
The man next door comes onto his back step and lowers
a match into a pipe bowl, a perfect 1938 maroon Cheverolet
sedan parked, never driven, in his garage, then the woman, Mrs. Garvin,
farther down walks into her earliest irises and John Pelletier loads
the family wash tub on the wagon
and goes for water.
2
a wolf inside that smoke rises from
Wilfrid carried a straight razor he
shortened with a file
to flick easier.
More operatic, chthonic device than the Hollywood
switchblade Charlie Crow, Jimmy Easts‘s psychotic cousin,
drew from an anklelength black coat,
to rob my brother of chips and a Fanta orange
outside Moon’s Confectionary. Kryptonited
by ideology, Charlie’d still slice.
But a shotgun was Wilf’s true, later wonder
instrument, his completer
of aesthetic shape. There it was
in his hand in the 2:00 am nightclub, under the stream-surface
ball, a wakening deep in the cave. Lucky we didn’t go
to Martin, says my brother. Be in jail now.
Or out, superannuated, blinking,
our eyes fondling a range of knots.
Bob Cooke, the Gland, in the giant lobby
of the hotel, twenty-one, handgunned,
tendoned stillness hatched around him,
a single counter-tenor note held,
held, just now starting to fade, lose ground
and fade, that emotion-sound, now
cranes his neck forward and asks
the night-clerk to open the safe,
wide the door to the grotto of the safe,
ovoid hole the animal’s body made
in the mat of low bushes by passing in and out.
3
“delectable absorption”
St. Teresa of Avila
The Eatable world leans against us,
neuronal pathways, beauty sheen,
fish clouds bulging walls,
tympanic throb of reindeer
narrowing through gorges.
I put my hand, quite a while ago, years ago
actually onto the knee of the Fish-Lord
and individuality appeared.
Yes, I did it. There was no pain.
Those days when I sat in that room
in Osprey Cabins, rain chipping
the window, I would rise
to kneel and set my ear to the floor.
I heard most of what occurred.
Those days left almost all of their firepits in me.
I say hello.
The gorgeous wave,
metaphysics chrismed with chlorophyll and skin,
lifts midway through the body, near the waist, and rolls
through.
4
I am asleep still and drift over the neighbourhood,
grazing carragana leaves, elm leaves, summer still.
There’s the creek, two miles away, then beyond
behind cattails, the RCMP Training Depot and almost
beneath me now that I’ve crossed over
Dewdney Ave., the turret and chimneys
of the Lieutenant Governor’s residence now empty,
except for breath or soul carapaces
of dead people we can see clearly through dusty groundfloor windows.
A muskrat’s splitting the surface of the creek and John,
returning, sheds rim splashes,
on the sidewalk. Behind him,
now that he’s turned into Connaught
and has the wagon at the back door, water swaying,
the first trolley bus sparks and rattles toward downtown
and I am settling, descended through the scorch
from overhead wires, unseen, barefoot,
upright, on my parents’ lawn.
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